Selasa, 29 Januari 2019

Download PDF The Pugilist at Rest: StoriesBy Thom Jones

Download PDF The Pugilist at Rest: StoriesBy Thom Jones

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The Pugilist at Rest: StoriesBy Thom Jones

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The Pugilist at Rest: StoriesBy Thom Jones


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The Pugilist at Rest: StoriesBy Thom Jones

Thom Jones made his literary debut in The New Yorker in 1991. Within six months his stories appeared in Harper's, Esquire, Mirabella, Story, Buzz, and in The New Yorker twice more. "The Pugilist at Rest" - the title story from this stunning collection - took first place in Prize Stories 1993: The O. Henry Awards and was selected for inclusion in Best American Short Stories 1992. He is a writer of astonishing talent. Jones's stories - whether set in the combat zones of Vietnam or the brittle social and intellectual milieu of an elite New England college, whether recounting the poignant last battles of an alcoholic ex-fighter or the hallucinatory visions of an American wandering lost in Bombay in the aftermath of an epileptic fugue - are fueled by an almost brutal vision of the human condition, in a world without mercy or redemption. Physically battered, soul-sick, and morally exhausted, Jones's characters are yet unable to concede defeat: his stories are infused with the improbable grace of the spirit that ought to collapse, but cannot. For in these extraordinary pieces of fiction, it is not goodness that finally redeems us, but the heart's illogical resilience, and the ennobling tenacity with which we cling to each other and to our lives. The publication of The Pugilist at Rest is a major literary event, heralding the arrival of an electrifying new voice in American fiction, and a writer of magnificent depth and range. With these eleven stories, Thom Jones takes his place among the ranks of this country's most important authors.

  • Sales Rank: #403990 in Books
  • Brand: Back Bay Books
  • Published on: 1994-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .55" w x 5.51" l, .72 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Great product!

Amazon.com Review
Thom Jones's first collection of stories is a revelation. In prose that sounds like nobody else, Jones channels a variety of distinctively different voices, from the lustful book editor of "Unchain My Heart" to the epileptic, amnesiac adman of the Dostoevskian fable "A White Horse." There's not a miss among these tales, but two in particular stand out: the title story, about a boxer and Vietnam vet who has plumbed the vicious depths of his own soul, and the almost unbearably intense chronicle of a woman fighting a losing battle with cancer, "I Want to Live!" "The world is replete with badness," says the aging fighter of "A Pugilist at Rest"; yet, as the narrator of "I Want to Live!" discovers, there is nothing stronger than the human will to go on, to persist--even in the face of the hell that exists right here on earth. It's not all gloom, doom, and napalm, however. There's also the surreal, Gogol-esque humor of "The Black Lights," in which the pysch-ward protagonist insists his only problem is epilepsy, yet hallucinates a giant, shuddering rabbit caught under his bed at night ("It's that rabbit on the Br'er Rabbit molasses jar. That rabbit with buckles on his shoes! Bow tie. Yaller teeth! Yaller! Yaller!") Then, too, Jones creates images of startling, surreal clarity amid the horror, like the dying lieutenant who remains on one knee even after being shot, "his remaining arm extended out to the enemy, palm upward in the soulful, heartrending gesture of Al Jolson doing a rendition of 'Mammy.'" Take a decidedly grim world-view, add a dose of existential slapstick, some Schopenhauer, an encyclopedic knowledge of pharmaceuticals, and a soundtrack by the Doors, and you have what may be the darkest, funniest, most urgent fictional debut in years. --Mary Park

From Publishers Weekly
Jones's gritty and poetic debut short-story collection was selected by PW as one of the best books of 1993.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
Jones, a former marine and amateur boxer, recently published short stories in The New Yorker and Harper's. The themes dominating his first collection are violence, adultery, alcoholism, epilepsy, and madness. The sheer visceral intensity of Jones's prose is amplified by the sensitivity with which his characters are drawn: a soldier in Vietnam recognizes his capacity for violence in an ancient Roman statue; an abusive womanizer reacts with instinctive viciousness when he falls in love; a janitor attempts to lure a slow student from a potentially disastrous relationship; a dying woman finds solace in the pessimistic philosophy of Arthur Schopenhauer. Jones's gritty yet refined prose stands in sharp contrast to the more apologetic work of National Book Award winner Tim O'Brien ( Going After Cacciato , LJ 12/15/77; The Things They Carried , LJ 2/15/90), with whom critical comparison is inevitable. This outstanding collection is sure to be in demand in public libraries.
- Mark Annichiarico, "Library Journal"
Copyright 1993 Reed Business Information, Inc.

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Senin, 28 Januari 2019

Download Corporate Finance and Financial Strategy: Optimising corporate and shareholder valueBy Tony Davies, Ian Crawford

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Corporate Finance and Financial Strategy: Optimising corporate and shareholder valueBy Tony Davies, Ian Crawford


Corporate Finance and Financial Strategy: Optimising corporate and shareholder valueBy Tony Davies, Ian Crawford


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  • Sales Rank: #2936390 in eBooks
  • Published on: 2014-04-01
  • Released on: 2014-04-01
  • Format: Kindle eBook

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Kamis, 24 Januari 2019

Download PDF "They Say / I Say": The Moves That Matter in Academic Writing (Third Edition)

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"They Say / I Say": The Moves That Matter in Academic Writing (Third Edition)




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Review

The best tribute to "They Say / I Say" I've heard is this, from a student: "This is one book I'm not selling back to the bookstore." Nods all around the room. The students love this book. --Christine Ross, Quinnipiac UniversityThe argument of this book is important--that there are "moves" to academic writing . . . and that knowledge of them can be generative. The template format is a good way to teach and demystify the moves that matter. I like this book a lot. --David Bartholomae, University of PittsburghA brilliant book. . . . It's like a membership card in the academic club. --Eileen Seifert, DePaul UniversityDemystifies academic argumentation. --Patricia Bizzell, College of the Holy Cross"This book demystifies rhetorical moves, tricks of the trade that many students are unsure about. It s reasonable, helpful, nicely written . . . and hey, it s true. I would have found it immensely helpful myself in high school and college. --Mike Rose, University of California, Los Angeles"The best tribute to They Say / I Say I ve heard is this, from a student: This is one book I m not selling back to the bookstore. Nods all around the room. The students love this book. --Christine Ross, Quinnipiac University"The argument of this book is important that there are moves to academic writing . . . and that knowledge of them can be generative. The template format is a good way to teach and demystify the moves that matter. I like this book a lot. --David Bartholomae, University of Pittsburgh"A brilliant book. . . . It s like a membership card in the academic club. --Eileen Seifert, DePaul University"Students need to walk a fine line between their work and that of others, and this book helps them walk that line, providing specific methods and techniques for introducing, explaining, and integrating other voices with their own ideas. --Libby Miles, University of Rhode Island"This book uncovers the rhetorical conventions that transcend disciplinary boundaries, so that even freshmen, newcomers to the academy, are immediately able to join in the conversation. --Margaret Weaver, Missouri State University"

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About the Author

Gerald Graff, a professor of English and education at the University of Illinois at Chicago and 2008 president of the Modern Language Association of America, has had a major impact on teachers through such books as Professing Literature: An Institutional History, Beyond the Culture Wars: How Teaching the Conflicts Can Revitalize American Education, and Clueless in Academe: How Schooling Obscures the Life of the Mind.Cathy Birkenstein is a lecturer in English at the University of Illinois at Chicago. She has published essays on writing in College English, and, with Gerald Graff in The Chronicle of Higher Education, Academe, and College Composition and Communication.

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Product details

Paperback: 352 pages

Publisher: W. W. Norton & Company; Third edition (February 4, 2014)

Language: English

ISBN-10: 9780393935844

ISBN-13: 978-0393935844

ASIN: 0393935841

Product Dimensions:

5.3 x 0.5 x 7.4 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

1,413 customer reviews

Amazon Best Sellers Rank:

#65,879 in Books (See Top 100 in Books)

I was given this book as a gift from my mentor during my first year of teaching high school, and haven't stopped using it since. I teach 8th grade at the moment, and this can easily be modified and used in middle and high school as well as college. It is the definitive text for argumentative writing. It has a collection of sentence stems/starters'templates for every circumstance (e.g. agreeing with a rebuttal) as well as a section devoted to transitions, verbs for making a claim, etc. It takes much of the guesswork out of writing an argumentative essay. We know that writing at the college level is expository or argumentative. This is the one book you need to get in order to write well. That's what I SAY. And that's what THEY SAY.

I have always thought of writing as a form of unilateral communication lacking any sort of feedback mechanism. Looking at writing as some form of conversation, as Graff and Birkenstein point out in “They Say, I Say”, was therefore different yet refreshing in many respects.For some, academic writing can be no different than a “foreign language” and in that regard, the structure and templates provided in the book serve to significantly reduce the learning curve associated with academic writing. As for the criticism on whether templates serve to stifle creativity, I would argue that some forms of writing require more structure compared to others, which is why templates tend to serve well for such forms.I thoroughly enjoyed reading through the book and can definitely foresee the need of referring back to it over and over again.

This is a great book to help teach students how to frame arguments. This is my third copy. I lost one loaning it out at work (I'm an educator), another I gave to my younger brother when he went away to college. I bought it again to use with Kelly Gallagher's "Staying true to what works in the ELA classroom".The sentence frames really are the most useful aspects of this book. I have to teach argumentative writing and the frames help me to model good writing to my students. It's a great tool to have on hand. Short and sweet.

The book They Say, I Say is the book I wish I had had at the beginning of my own graduate studies. It is a practical book that demystifies academic writing through the provision of basic templates that help first-year college students grasp the structure of good academic argument. I see it not as a cheat-sheet or prescriptive form of instruction, but as a useful tool that uncovers the patterns that already exist in writing and turns them into techniques students can adopt. Within the templates there is still plenty of room for students to add in their own perspectives and apply critical thinking. Intuitive readers pick these moves up through reading, but even the best of us can use the kind of explicit help that Graff and Birkenstein's templates provide.The templates and lessons in this book unlock the secrets of good writing and argument for anyone interested in improving their written arguments.

I am writing my dissertation for my doctorate and this book is GREAT because it helps with writers block. It gives you phrases to help you get your thoughts going. It is extremely well organized and has been mentioned in several You Tube instructional videos I have watched.

I would definitely recommend this book to anybody who is trying to write more effectively. My professor required us to purchase this book since it was used heavily throughout the semester, which i'm glad she did, because "They Say/ I Say" provides very helpful details/examples to help strengthen your writing. The title pretty much how the whole book is formatted. It begins with telling you the rights and wrongs then proceeds to explain how what "they say" can be worded. After reading the "they say" section of the text it'll move on to I say which is of course your reason of support or contradiction.Although this was used in a college course, most of the reading was structured to easily be able to understand. As this book included many 'how not to' examples I found myself relating to much of that category. Overall, I found this book very helpful and would recommend this book if you want to make your writing more effective especially in the argumentative side.

I adopted this for my English Comp class, but it could be usefully assigned for students at any stage of higher education, through graduate school. The authors offer a clear and useful template approach to constructing academic arguments in several disciplines, on the premise that all good academic writing forms part of the stream of intellectual discourse (the "they say" to which a writer adds her or his "I say").These authors know what they are talking about. Buy this book.

This book rocked my world last quarter. Because of it, I feel I am a better writer.According to my professor, when I entered class I was one of the best students they had encountered (after teaching for nearly a decade). I write creatively as a hobby, and had several years competitive forensics under my belt so civil discourse has become second nature. This book has short and tolerable chapters that helped even an "advanced" student like myself improve their work. I couldn't imagine someone reading 5 chapters of this book and walking away at the same level of skill. It's impossible. This book explores more than just technique, they elaborate on reasoning. These days, with current trends in social media, folks often forget we are writing our comments, essays, and reviews for a PURPOSE. "They Say / I Say" brings the author back to that purpose and teaches the writer empathy in addition to giving guidance on how to transition, how to support your claims, and so much more. It's a treasure I purchased to keep with me for life - so I can look back on it every now and then.Get it. Stop thinking about it, and you could find yourself as grateful as I am today.

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Selasa, 22 Januari 2019

Free Ebook Learning Bridges: Quick and Easy Activities for Change (POPULAR INSIGHTS SERIES)By Jim Still-Pepper

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Learning Bridges: Quick and Easy Activities for Change (POPULAR INSIGHTS SERIES)By Jim Still-Pepper

Learning Bridges: Quick and Easy Activities for Change (POPULAR INSIGHTS SERIES)By Jim Still-Pepper


Learning Bridges: Quick and Easy Activities for Change (POPULAR INSIGHTS SERIES)By Jim Still-Pepper


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  • Sales Rank: #4650563 in Books
  • Brand: Brand: Chalice Press
  • Published on: 2010-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .32" w x 7.00" l, .65 pounds
  • Binding: Paperback
  • 144 pages
Features
  • ISBN13: 9780827221420
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Jim Still-Pepper is an author, school services coordinator, a trainer at the Institute for Human Services, and president and founder of Still-Light Seminars LLC a motivational speaking company. He has over seventy-five national publication credits and has authored and co-authored several books.

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Minggu, 20 Januari 2019

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Jumat, 11 Januari 2019

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  • Sales Rank: #827815 in Books
  • Published on: 2006
  • Binding: Paperback
  • 65 pages

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Minggu, 06 Januari 2019

Download PDF Inner Work: Using Dreams and Active Imagination for Personal Growth, by Robert A. Johnson

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Inner Work: Using Dreams and Active Imagination for Personal Growth, by Robert A. Johnson

About the Author

Robert A. Johnson, a noted lecturer and Jungian analyst, is also the author of He, She, We, Inner Work, Ecstasy, Transformation, and Owning Your Own Shadow.

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Excerpt. © Reprinted by permission. All rights reserved.

Chapter OneAlternative Realities: The World of Dreaming, the Realm of ImaginationOur verbal patterns betray many of our automatic assumptions: If one discusses a dream with a friend, the friend is likely to ask something like, "Did that detail really happen, or only in the dream?" The implication is that what happens in a dream is not .'real." In fact, it would be more accurate to ask, "Did it happen in dream reality, or in physical reality? In the world of dreaming, or in the ordinary world?"Both are genuine worlds, both are realities that truly exist. But the world of dreaming, if we only realized it, has more practical and concrete effect on our lives than outer events do. For it is in the world of dreaming that the unconscious is working out its powerful dynamics. It is there that the great forces do battle or combine to produce the attitudes, ideals, beliefs, and compulsions that motivate most of our behavior.Once we become sensitive to dreams, we discover that every dynamic in a dream is manifesting itself in some way in our practical lives-in our actions, relationships, decisions, automatic routines, urges, and feelings. We believe ourselves to be in conscious control of these elements of life. But this belief is the great illusion of ego-control. These aspects of our lives are actually determined from a far deeper place. It is in the world of dreaming that their root sources are revealed in a form that we can see and understand.Dreams express the unconscious. Dreams are dynamic mosaics, composed of symbols, that express the movements, conflicts, interactions, and developments of the great energy systems within the unconscious.The unconscious has a particular capacity to create images and to use those images as symbols. It is these symbols that form our dreams, creating a language by which the unconscious communicates its contents to the conscious mind.just as a burning fire inherently exudes heat, the unconscious inherently generates symbols. It is simply the nature of the unconscious to do so. As we learn to read those symbols we gain the ability to perceive the workings of the unconscious within us. This ability to produce symbols affects more than just our dreams: All of human life is nourished by the flow of symbolic imagery from the wellsprings in the unconscious:The symbolic imagery of the unconscious is the creative source of the human spirit in all its realizations. Not only have consciousness and the concepts of its philosophical understanding of the world arisen from the symbol but also religion, rite and cult, art and customs. And because the symbol-forming process of the unconscious is the source of the human spirit, language, whose history is almost identical with the genesis and development of human consciousness, always starts out as a symbolic language. Thus Jung writes: "An archetypal content expresses itself, first and foremost, in metaphors." (Neumann, Great Mother, p. 17)The image-symbols of the unconscious find their way to the level of consciousness mainly by two routes: dreams and imagination. It is easier to grasp the symbolic quality with dreams, for dreams often present mythical creatures and unearthly situations that would be impossible in everyday physical life. People are usually confused by the dream images until they learn that the images are symbolic and are not to be taken literally.Since dream images make no sense in ordinary terms, people dismiss them as "weird" or meaningless, but actually, dreams are completely coherent. If we take the time to learn their language, we discover that every dream is a masterpiece of symbolic communication. The unconscious speaks in symbols, not to confuse us, but simply because that is its native idiom.I was never able to agree ... that the dream is a "facade" behind which its meaning lies hidden -- a meaning already known but maliciously, so to speak, withheld from consciousness. To me, dreams are a part of nature, which harbors no intention to deceive, but expresses something as best it can, just as a plant grows or an animal seeks its food as best it can. These forms of life, too, have no wish to deceive our eyes, but we may deceive ourselves because our eyes are shortsighted. Long before I met Freud I regarded the Unconscious, and dreams, which are its direct exponents, as natural processes to which no arbitrariness can be attributed, and above all, no legerdemain. (lung, MDR, p. 161)We may compare a dream to a screen on which the unconscious projects its inner drama. We see there the various inner personalities that make up much of our total character, the dynamics among the forces that make up the unconscious. These invisible forces and their activities set off charges, so to speak, that are transmitted onto the screen. They take the form of images, and the interplay of the dream images gives us an exact representation of those inner dynamics that go on inside us.In learning how to understand these images, our conceptual starting point is our realization that they are not to be taken liter-, ally: We learn to look for an attitude, an inner personality, an inner development or conflict that clothes itself in the form and color of this image so that it may be visible to us in the Land of Dreaming.

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Product details

Paperback: 221 pages

Publisher: Harper & Row; Reprint, 2001 edition (1989)

Language: English

ISBN-10: 0062504312

ISBN-13: 978-0062504319

Product Dimensions:

5.1 x 0.6 x 7.9 inches

Shipping Weight: 3.2 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

116 customer reviews

Amazon Best Sellers Rank:

#31,837 in Books (See Top 100 in Books)

In addition to dreams this book also covers Jung's Active Imagination. A bit more than 1/3 of the book is devoted to Active Imagination. Instructions, examples, and practices are covered in a fair (but certainly not exhaustive) amount of detail (I personally wish there was more in depth instruction - but it's a pretty good introduction).If you're looking for more information and instruction on Active Imagination I would suggest a lesser known book entitled, "Imagination As Space of Freedom" by Verena Kast.

I have read a lot Jung, Joseph Campbell, various other experts on mythology and symbolism, but this book put all of that knowledge and information into practical and applicable form. The application of those theories and ideas is better explained and articulated here than in any other book I've read.

In my efforts to understand and deal with my child's nightmares, I have found respite in Robert Johnson's Inner Work. I have trusted his books for some time because he has a gift for using Jungian principles and keeping things simple. By using archetypal comparisons rather than personal anecdotes, his approach to teaching you how to explore dreams is direct and unbiased. He offers an overview of necessary terms and reminds us (quoting from Carl Jung) that "God speaks in dream."This book does not claim to be the ultimate book on dream analysis but it gives you the tools to explore your unconscious in his 4-step to Active Imagination. His approach to understanding symbols empowers you to make your own definitions and associations, rather than telling you what they mean universally, because everyone is different - and that is so the case with my daughter.If you are looking to develop the understanding your mind at sleep, this is a great introduction. I would also suggest The Nightmare Solution for other approaches on working out your dreams and We, He, and She by Robert Johnson.

This is honestly one of the best books I've read in a long time. I recently received a bachelor degree in psychology and I just started grad school for master's degree in professional mental health counseling. Dream work has always interested me, but boy was I in for a surprise after reading this book. Of course, the actual dream analysis steps are quite amazing. But there's TONS of other information in this book about inner growth. The pages literally drip with the stuff. As far as the 4 steps of dream analysis, I got a change to use them for the first time a few days ago with a fellow college cohort. She had an extremely powerful dream over 4 years ago that she was never able to fully understand. After a half hour going through the steps she knew exactly what the dream was about. Both she and I were speechless. It was an awesome experience. As someone who eventually wants to become a licensed professional counselor, with dream work being one of my modalities, this book is ESSENTIAL. I cannot recommend it enough. Really.

While I have been unimpressed by several of Johnson's other works, I found this to be excellent: terse, cogent, and practical. If you are considering "inner" work, this is an excellent place to start.

It seems that after this book this author has written much on the subject of Jungian work but the majority appears to be a survey of ideas, unlike this book which is the heart of actually doing Jungian work. Since I'm becoming a clinical social worker I tend to read many books such as this one to know how the actually meat of many forms of therapy and inner work are carried out. Much out there is pure junk that loses my interest very quickly. This book is a joy to read through and the examples are very relevant. The author does not go off on tangents about personal anecdotes, something that tends to bore me with many authors.I have had an interest in Jungian work but have found it very abstract and not as down to earth as many other forms of therapy or psychological work. This book takes you directly to the core of the two most important ways of Jungian work: dream work and active imagination. There are several other methods used in analytic work but these are the most fundamental. The four steps are accessible and simple to carry out.As I have an interest in having at least a foot in Jungian ideas as a therapist this book will be invaluable for both my inner work and those of my future clients.The only problem I find is that the Jungian school needs more of a place for body and emotive work to ground the abstract in direct present experience using methods such as: Gestalt methods, Gendlin's Focusing Technique, meditation and so on. Otherwise this is by far the most practical work by a Jungian that I have come across.

I've read a few books and listened to some CDs on dream interpretation, but Johnson's Inner Work is the first one to give me real confidence that I can do this myself. The process he outlines does take time -- it isn't a "go with your gut" quick fix -- but it leads to some intense, evocative results. The 4-step process is deceptively simple: Step 1 - Identify key images and your associations to those images; Step 2 - Ask yourself where these images/associations show up in your life; Step 3 - Interpret the dream, and; Step 4 - Complete a ritual around the dream that makes it more concrete in your life. I was amazed at the many associations that came to me with each image as I completed step 1, some of them were relevant and some not, but ALL of them made me think. Step 2, I admit is the most difficult for me, and step 4 probably the most meaningful. Again, this is not for the lazy or faint of heart. You don't just dive into interpretation, and it takes some effort to make the associations Johnson asks us to make in order to arrive at a reasonable interpretation. But it sure is worth it! I've made some interpretations that have just astonished me and moved me. Beyond the mechanics of dream interpretation, the book is incredibly well written. Johnson is a thoughtful, engaging writer who puts words together in a way that we not only understand but enjoy reading.

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